Blog

Hexagon artwork

George Shaw: The Local – Moving forwards, moving on

George Shaw: 'The Local’ exhibition

This part of the exhibition moves Shaw and the viewer away from the Tile Hill area of Coventry that has had such a major influence on his work over the last 25 years. Shaw rarely includes people in his work but one set of paintings shows him walking down the road, away from the place that has rooted him throughout his life. His humorous take on titles remains the same though; the paintings have names like ‘Effing Off’ and ‘Effed Off’.

Effing Off by George Shaw at The Box

Other works show the brightly coloured laburnum tree in his garden with its vibrant golden yellow flowers, as well as scenes from some of the places near his home on Dartmoor.

Laburnum tree painting by George Shaw at The Box

The exhibition rounds off with another set of works that show the St George’s flag in a state of increasing disrepair. In a recent talk at The Box, Shaw discussed these paintings and how flags can often end up looking like they represent a completely different country when they start to get ripped or torn; many visitors to the exhibition have said the flag looks like Poland’s.

It’s an interesting statement to make given the UK’s recent withdrawal from the European Union. The title, ‘Half English’ is also a direct reference to Shaw himself, whose mother was from Ireland.

Half English painting series by George Shaw at The Box

(This) third chapter is… leaving home for the first time after the giving up of the family home and the death of my parents and… arriving in the place I now call home.

George Shaw

Don’t miss ‘George Shaw: The Local’ at The Box – it’s on display until the end of Sunday 4 September. Exhibition opening hours are 10am-5pm Tuesday to Sunday and Bank Holiday Monday. Entry is free with no need to book.

Listen to George Shaw talking about ‘The Local’ exhibition

More articles

356,000 Visits, £21.5 Million Impact: The Box Plymouth Reveals a Landmark Year 

Exciting Spring 2027 exhibition announced as part of ‘Bayeux Around Britain’

Major autumn/winter exhibition asks, ‘how do we want to live?’